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graphic standards | |||||||||||||||||
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Depot |
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A proposal for a museum of the present |
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A curatorial proposal by Rebecca Duclos and David K. Ross Each of Depot’s participating students would be issued a standard shipping pallet upon which to assemble their possessions. The pallets—loaded with things not needed or wanted while the students are in other cities on work terms—would be shrink-wrapped and stored within the gallery space. All wrapped pallets were to be available for public viewing by gallery-goers as hybrid “readymades” existing somewhere between works of art and collected anthropological specimens. | |||||||||||||||||
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The gallery’s office and gallery space—located at the edge of the University of Waterloo campus in a single story, steel-frame building—has never been an architectural wonder. Formerly used to store surplus university furniture and classroom materials, it still boasts utility rather than beauty. Through a profoundly pedestrian act, Depot was to temporarily revert the building’s gallery space back into a storage facility, providing a service for students and, in the process, engage the politics and economics of keeping. | |||||||||||||||||
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Each of Depot's participating self-storers were to be seen as project collaborators who would work with gallery staff to inventory their personal “collections” and prepare their objects
for safe-keeping. |
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